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My Trunk Show at Henri Bendel

Posted on June 14, 2012 by Harlequin&Lionhead

Come visit me on the 2F at Henri Bendel in Manhattan. For those of your who have received my previous email, the date has changed so please note!

Date: July 12 - 14, 2012
Time: 10am - 8pm
Location: 712 5th Avenue, New York

Meanwhile, I'm working like crazy to get things done. These are just the Rose collection pieces. The Whirls are still on the pipeline. I'm counting every minute to make this collection complete by the trunk show!

To add to the excitement, I'll be in the Asia attending a jewelry show, a fashion accessories exhibition, and the HK Fashion Week.


So my Etsy shop will be closed from June 18 - July 7. You can visit my homepage while my Etsy shop is closed. Please let me know if you need anything now or I'll see you in July!

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We Met At Crafts In Chelsea

Posted on May 21, 2012 by Harlequin&Lionhead
Last Sat, I was at the Crafts In Chelsea market on 21st St between 8th and 9th Ave. It is a bi-annual event that comes around every May and Oct. The lovely block was filled up with booths or tables of great handmade products. This event is organized by PS11 to support the school and local artists. This year it is managed by New York Etsy Team (a.k.a. theNewNew Etsy Team). If you are interested at participating as a seller, you can reach out to the school or the New York Etsy Team. I hope to be back again at this block in Oct.

You can see more pics of the event on my facebook page here.

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Meet me at Hester Street Market, a little gem at LES Manhattan

Posted on May 07, 2012 by Harlequin&Lionhead
Date: May 12, 2012
Time: 10am - 6pm
Where: Hester Street Market, corner of Essex and Hester
http://www.hesterstreetfair.com/

You have to fall in love with this little corner at the outskirt of the heart of fashion in Manhattan. Great accessories, interesting fashion finds, and some yummiest cookies you can find in the city are all here.

Hester Street Fair was taken into Henri Bendel last year and took over the 2/F for its vendors, while UNIQLO camped their mobile cube there for the fall. This past Sat when I was vending there (for the first time, though I've frequented this spot last year all the time as a shopper), Macy has a pop-up shop there - Bar III took Hester Street Fair as its first stop of their nationwide tour of America's best flea markets.

I will be featuring my Whirls and Rose collections there, at an exclusive Hester Street Fair discount.

Selected products from my other shop, Bunnies Can Dream will be available too. Come check my table out. I will be sharing with the very talented Jessica Boehman of Hans-My-Hedgehog again this Sat. And she is debuting her new plush line with some new illustration prints. So don't miss it.


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Start from the heart - The making of the Whirls #6 Large Pendant

Posted on April 04, 2012 by Harlequin&Lionhead
Like all creation, it starts with a thing that pulls your heart's string. In this case, it was Alexander McQueen. Not surprisingly, the show at the Met was an inspiration for a lot of designers. 




I have always been fascinated by feathers and the idea of flying. In high school, for awhile, all I drew were wings. You could see it on the blackboard (now you know my age, it was black and then green and then white...), on my textbooks, drawing pads...The original idea for the Whirls #1 ring was a pair of wings spread in a distorted way on your finger. Then I saw the Horn of Plenty dress at the show. Not only was it made of feather, it has the most interesting shape one always omits when looking at a pair of wings, though it stares back unmistakably at you - a heart shape.


Two wings closed and perched on the back forming a heart shape is what we see everyday looking at birds at parks. And McQueen amazingly took it to adorn the hip area of the dress. I adore the elongated curves of a heart. So I thought I'll combine the beautiful shape with dramatic texture of feathers and make a large size pendant. I started with polymer clay, as for the whole Whirls Collection. I created a heart shape as a foundation (1st image of this post), then developed the feather on top of the foundation to form the pendant, separated the pendant from the heart foundation and baked the clay to harden it.


Then the clay model was sent to my mold maker to make a silicon mold. From there, it generated a wax model, which I used to hollow out the back side further and reduce the weight of the wax model. Then it was cast into brass and soldered with a ring on top for a chain to go through.


The heart feather pendant was still very heavy. I think it was first over 2 troy ounces in weight. I had to hollow out a couple times to bring it to within 2 troy ounces. Imagine casting it in silver, it would be quite an expensive piece. So currently I'm keeping it in brass. 


After I polished the piece to a matt finish, I oxidize it to create an antique look. This pendant measures 1.5x2.25 inches in size and looks stunning on the front with the layers, and interestingly eerie on the back with the heart muscles and veins around the little heart shape in the hollow chamber. The oxidation is achieved here in the picture with liver of sulphur, which changes metal color into shades of yellow, blue, green, pink, purple and black based on heat. The purple here is quite a random result and it needs to be protected from air with a sealant to be preserved. The 30-inch long chain is also brass and tarnished the same way into a vintage looking dark color.


This is my current Whirls Collection. More to come, watch out for it!

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My new studio!

Posted on February 24, 2012 by Harlequin&Lionhead
Another one of my to-dos this year crossed off. Finally I used my salary from a part time job and put up a home studio area!

It has everything I need for polishing and a little more. Although it may be a little more technical than my other posts, I feel so proud I want to indulge myself with just one post on what my babies are.

First off is the work bench you see here. It is what they call a "butcher top" bench with a heavy hard wood top that can withstand most everyday torture we put to the table, including sawing and hammering. And with proper insulation, we can even solder on the table. In the front is a bench pin that sticks out, where we do most of the work without the obstacle of the table top so we can move freely in 360. The 2 rectangular shapes in the front can be pulled out to support my arm when needed.

On the wall I put up printouts of 2 images I used to have on my dorm room wall at college. It is my favorite time of classical peroid, the Pre-Raphaelite. One is the Ophelia of J.W.Waterhouse. He is absolutely my fav. The other is the ever haunting Lady of Shalott by William Holman Hunt.




This is the amount of polishing wheels I have to go through on a regular basis to prep my pieces before they go to a lathe and get final buff with finishing compound. These little wheels will be used with a device called the flex shaft, which is an extention from a motor.


This is a little cute desktop lathe for finishing. The industrial versions are huge and expensive. But mine is a Foredom as well though much slower and less powerful, the speed can be adjusted and it does basic job well.

I have to get a seperate filter which so far I am very pleased with. It is a little inconvenient because I have only one so I have to move it around. My husband used to complain about me smelling like metal after a few hours of polishing work but not now. And it comes with a super bright LED light and a PVC shield. So I really cannot complain about this compact little baby.


Now this is a little embarrassing. My small firing station. I use a little creme brulee torch but it is really way too low to do a soldering properly. So it is more for emergency fixing rather than a set up I can rely on.


OK, before final finishing, we would usually "tumble" the pieces in a tumbler, which kinda looks like a blender but with steel shots in it. In the foreground, the one that looks like a rice cooker, is a ultrasonic cleaner, which makes diamonds sparkles! The little crock pot on the side is also for cleaning, but with pickling solution to clean the oxidation from firing a piece of metal.


This weird device is a ring stretcher/reducer and it works literally. Not good for stone set rings but works like magic otherwise. I have been dreaming to have one myself and finally made up my mind and bought it!

Phew! OK, I am done showing off. Back to work ;)

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